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August 27, 2010

Confusion @ The Shore.

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As usual, last night’s episode of Jersey Shore left me feeling very confused. To recap: this season has primarily revolved around the relationship woes of Sammi and Ronnie-the most emotionally-advanced couple on television since Brenda Walsh and Dylan Mckay. Each episode, Ronnie gets wasted and verbally abuses Sammi who, in turn, storms off saying that she’s done, she’s done, she’s done. Ronnie stays behind and does a few lines of coke, I mean drinks Red Bull, and hooks up with girls on camera. After finishing his business and returning home, he still has the audacity to get into bed with Sammi, who apparently is no longer done and in fact willing to have sex with him.

Remarkably, Ronnie believes he won’t be caught and even brags about his cheating ways to all of the other housemates and in interviews. This is when I start to get confused. Doesn’t he realize he’s saying these things to a camera crew who will then broadcast it to millions of viewers? When reality stars have been asked about the  constant presence of cameras, they usually say that it takes some getting used to but after a while, they don’t even realize they’re there. This must be the case with Ronnie-he must not be seeing the big heavy equipment that’s being thrust into his face 24/7.

Snooki and Jwoww also seem to suffer from the same type of camera amnesia. When they decide to comprise a letter to Sammi that details Ronnie’s infidelities, they sign the letter anonymously and say repeatedly to the camera that they hope Sammi never finds out who actually wrote it. Let me repeat: They write an anonymous letter ON CAMERA and then tell THE CAMERAS they hope Sammi never realizes they wrote it.

Filming a reality show must play tricks on the mind. You must really not think about things ending up on television as they happen. Or maybe the cast of Jersey Shore is just really that stupid and that’s why they’re able to produce such great television. Either way, they’re the ones making millions of dollars while I’m sitting here eating pasta and wondering if I should get dressed today.

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August 24, 2010

Book Report.

While in California, I read two books that I’m now obsessed with in very different ways.

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Some like their summer reads to be fun-filled romps about the fashion industry or maybe about boys or trips to India. Not me. I like harrowing memoirs about drug abuse, downward spirals and near-death experiences. In Portrait of an Addict as a Young Man- a memoir about fancy literary agent Bill Clegg’s descent into crack addiction- I got all of these things.

Clegg doesn’t fit the bill of a stereotypical crack user. He’s not impoverished or hanging out out under bridges with people who call themselves Starshine and Princess. On the contrary, his life is the epitome of NYC fabulous. He’s a power gay in the literary world, living with his WASPy understanding boyfriend in a luxury doorman building in the West Village. If anything, he should have a problem with cocaine or abuse his prescription to Xanax. But as it happens, crack is his jam and instead of taking to the streets, Clegg holes up in expensive downtown NYC hotels like Soho Grand and The Gansevoort when he goes on a binge.  With all of his affluence, Clegg gives the drug a bourgie makeover, sort of like what Whitney Houston tried to do but ultimately failed.

Although stories about crack use are riveting, the book sometimes falls flat. Clegg intersplices painful memories from his childhood with the present day to help the reader better understand how he got to his addiction but it doesn’t provide us with a much better understanding. His prose brings you right into the action of his drug use but backs away when it comes to analyzing his emotional state.

That being said, I still devoured the book in two hours and was left wanting more. So whatever.

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A friend introduced me to Lorrie Moore a year ago but I was too enamored with Joan Didion to take notice. After having her books sit on my desk for months, I finally read her first short-story collection, Self-Help, and just about died. She’s a master of the character study-making impeccable observations on the relationships we have with our family and our lovers. It can be dark material but Moore never lets us wallow in the depression of her characters. Her wry sense of humor keeps her stories grounded in reality and far away from melodrama. “How To” and “How to be the Other Woman” will break your heart with its brutal honesty and painfully real moments. I have since mimicked her style with my own “How to” short story but I’m not ready to show that shit yet.

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August 15, 2010

Too Fat for L.A.

I’m in L.A. which means that I’m getting tan and eating salads and seeing best friends and I’m bored. L.A. is becoming more and more like that favorite pair of jeans that you can’t really fit into anymore . It’s because the 24-hour bodegas in New York are making you fat and you want the jeans to fit so bad but it just doesn’t really work. Maybe you’ll lose the weight, maybe you won’t. But as of right now, they’re cutting off your circulation and it bums you out.

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August 8, 2010

Wicked Nice.

WICKED NICE

You should never like someone because they’re nice. As far as qualities go, it doesn’t hold much weight, requires no discernible skill.

You know this now but you didn’t know it then. You didn’t know it on that night of the dinner party. You and your friends used to have those often because you were twenty-one and drinking too much. Making lentil salad, wearing dresses and blazers, and pouring glasses of warm white wine were all clever devices you used to make yourselves feel normal and productive.

At the dinner party, you’re talking about mature adult things with your friends when the nice boy comes in.
“Wicked spread.” He says in a stoner drawl, surveying the courtyard, the booze and the elaborate display of cheese and crackers. His East Coast slang immediately makes you want to run around barefoot in the California sun, eat avocado sandwiches and rub New Age crystals. But you can’t because you’re in a courtyard in the East Village with a boy that says “wicked” and endured hard winters and always knew New York as being a place that was just a train ride away.

As the night progresses, you drink more wine and start to care less about his slang and more about his sweet ass. It’s placed perfectly up high, toned by years of cycling. An ass is the first thing you notice on a boy. It’s the first thing you fall in love with and usually the last.

You suggest moving the party to the rooftop of your apartment. Everyone agrees because they’re drunk and They. Just. Don’t. Care. When you get to your apartment, you grab the Polaroid camera so this night can stick more than the others. While walking up to the roof, you almost fall but you catch yourself. No, the nice boy with the nice ass catches you. Ah, you love men.

You smoke pot, tastes so good. Everyone bathes in the evening warmth and oh my god, you’re just so happy. This boy makes you so happy. You take a Polaroid of him even though you just met. But you’re going to scan it and put it online and tag him in the photo. Everyone will see it and think to themselves, “I didn’t know Ryan was friends with that boy!” But you are because the internet says so and everyone knows that it’s only a matter of time before internet starts imitating life.

This is when things get blurry, stop making so much sense. Everyone leaves except for the boy and you decide to play the movie Factory Girl. It plays for awhile and you try to discuss how Andy Warhol took advantage of Edie Sedgwick and how she really didn’t stand a chance after meeting him. At least that’s what you think you’re discussing. You’re not sure. Neither is the boy. But he smiles anyway, encouraging your nuggets of wisdom.

He says he has to go and you panic. You say goodbye but you really just want to be sober with him on your bed, talking about music or something else that could lead to a kiss. But that’s not the case tonight so he leaves. The door slams and you want to cry at the wasted opportunity. The wine tells you to chase after him like they do in the movies so you do.

You run down the hallway, turn the corner and see him get into the elevator. You grab him before he has a chance to get away. Kissing kissing kissing. Against the wall, grab his body. Feels amazing. He tastes normal, not like the wine you’ve been drinking. His skin is rough like a boy that’s been out in the sun pulling weeds. Or maybe that’s how you chose to remember it. It doesn’t matter now. He says no to sex, goes home. You really like him, you think, you know.

What happens after that is a series of choreographed moments, a nice relationship with a nice boy. On your first date, you get stoned and go to a midnight showing of The Shining. Afterwards, you make out high with your shirts off and you think this could be for real.

But it doesn’t become real-not even close. “He’s so great, he’s so nice” quickly turns into “He’s so passive, he has pudding for a backbone.” Three months later, you’re ignoring his calls and he’s texting you on Ecstacy to tell you that you’re beautiful. He calls you this after enduring three months of your bad behavior, three months of never going to his apartment, three months of your manipulation and it makes you feel ashamed. It makes you act uglier and this terrifies you.

A moment when he made sense: Spending the night with him in your best friend’s childhood home in Worcester, Massachusetts. This was the night of having sex in a new bed-a night when it was freezing and you were listening to a lot of Bon Iver and you were receptive to all the things that he was telling you.

Another moment when he made sense:  A party at a mutual friend’s apartment in Brooklyn. You wore a velcro vest with a duck hood and he looked beautiful in whatever it was that he was wearing. He made you feel safe in knowing that you were going to go home together in a car service and spoon in bed-that you would be far away from the lonely drunk people walking back to the L train.

But in the end, those are just beautiful splashes of color in an otherwise drab picture.  You think about what the nice boy with the nice ass taught you and realize that he taught you how to be cruel. And what about you? You showed him that being good and kind gets you nowhere with rotten boys like you. You wish you knew all of it then but you didn’t so here you are.

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August 7, 2010

Why Cher’s new movie will be great even if it’s not great.

I totally forgot that in-between recording an uninspired electro record, Christina Aguilera made a movie with Cher. It makes sense that I repressed it. Cher and Christina Aguilera acting together in a movie about burlesque dancing? As a man of good taste, I was terrified. As a gay man, however, I was intrigued.

With that in mind, I decided to watch the trailer as a gay man and not a film buff. It was a smart decision-given the fact that the film actually looks terrible. But now instead of dreading the film, I’m welcoming it with my big gay toned arms.

If this movie somehow manages to defy the odds and turn out to be of artistic merit, Christina Aguilera’s management team can thank their lucky stars and move on. But in all likelihood, it’s probably going to suck and that’s okay too. The target audience for Burlesque is obviously gay men. It stars two gay icons, involves the tried-and-true premise of “having a dream” and boasts lots of excruciating dance numbers. Given our campy sensibilities, this film is sure to live on in awesomely bad infamy along with Crossroads, Glitter and Showgirls.

History has taught us that gay men have an intense appreciation for all things bad. Bad acting, bad hair, bad outfits- it provides us with the kind of fodder that we need to breathe. I’m not sure why we’re so drawn to freakshows but John Waters, Mariah Carey’s entire acting career and the existence of drag queens have all shown us that we love over-the-top terrible. Yes, we’re laughing at them but we’re also laughing with them. There’s a general sense of comraderie between gay men and camp figures. Perhaps it’s because deep down, we feel like Devine trapped in a B-movie plot with poor lighting and shitty craft services.

That’s not to say Burlesque isn’t A-list. It’s practically A+. But judging by the trailer, the dialogue is pure decadent Cheez-Whiz, the acting appears to be stilted and the dancing downright scary. Film critic Kenneth Turan will probably find the film to be of no redeeming value. But a movie starring Cher & Christina Aguilera wasn’t meant for him. It was meant for us. Thank youuuuuuuu.

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