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May 31, 2010

Uffie: Finally Popping The Glock After 4 Years

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On the lead single of her debut album, Sex, Dreams & Denim Jeans, 22 year-old hip-hop/electronica artist, Uffie, acknowledges the pink elephant in the room when she raps “I’m the least-working girl in show business.” The elephant being that after releasing her hit single “Pop The Glock” in 2006, Uffie decided not to make good on her buzz. Instead, she released an average of three songs a year, toured, got married, divorced and had a baby. Okay so maybe she was doing something, it just didn’t involve her music. Thankfully, she got her shit together and finally finished her album which, as it turns out, is worth the wait.

Uffie became famous for her unorthodox rapping style and her acidic tongue. She was a jetsetting white girl with an attitude problem and in the odd event that she did release a song, it would send hipsters and nightcrawlers into a tizzy.  On Sex, Dreams & Denim Jeans, Uffie pushes herself beyond snappy one-liners and club beats to create a more substantive sound. Aiding her in this process is electronic producer Mirwais (famous for taking part in Madonna’s electronic re-invention) who helps create songs like the album’s piece de resistance, “Illusion of Love”. Clocking in at over five minutes, “Illusion of Love” pairs Uffie with lead singer of The Rapture, Mattie Safer, over a soaring subdued electronic beat. This is Uffie out of her element; it’s emotional, slow and hypnotic. Prior to this, Uffie relied on a fast beat and controversial lyrics to garner attention. On songs like “Illusion of Love, she finds a friend in subtlety.

She also flexes her vocal chops by actually singing which admittedly, gets mixed results. On the album’s title track, Uffie sings over an inspired Velvet Underground “Rock and Roll” sample but her voice is audibly straining to hit the high notes.

The album’s biggest misstep would have to be her cover of Siouxsie & The Banshee’s “Hong Kong Garden”. While the original bristled with punk energy, Uffie’s cover gets buried in soulless electronics. For once, our girl sounds contained.

Even though the album does show signs of maturity and growth, there’s plenty of the bratty Uffie that we know and love. She’s in top form on singles, “ADD SUV” and “MCs Can Kiss” which are arguably the catchiest and strongest club songs she’s made. Her cocky swagger and overwhelming hubris has always managed to be endearing rather than annoying and it’s a testament to her likability. With such a diverse record, Uffie may not end up being too late to her own party.

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May 27, 2010

I Couldn’t Help But Wonder: A Gay Man’s Journey Into the Wilds of Sex & The City 2

Charlotte doesn't deserve to be here.

Charlotte doesn't deserve to be here.

I went to a midnight showing of Sex & The City 2 last night partially because I felt like society didn’t leave me much choice. In retrospect, I’m glad I did because what transpired was easily the most bizarre cinematic experience of my life.

From the second I entered the theatre, I knew this was going to be something special. Every girl shunned regular moviegoing attire in favor of their Carrie-centric Louboutins and frilly cocktail dresses. And instead of holding a trendy handbag, they carried the most appropriate accessory: their drunk gay best friend. The Drunk Gay Best Friend is perhaps the reason why straight people still have no respect for us. They’re tactless, narcissistic and childish. That being said, they make for great entertainment as they have no discernible dignity. At one point, a Drunk Gay Best Friend sashayed to the front of the theatre, turned to the audience and said, “Who needs a cosmo?!” It was an astute question as I did, in fact, need a cosmo but I also needed him to sit down and stop talking.

Throughout all this chaos, a family of four managed to sleep soundly next to me, seemingly unaware of the fact that they were in a public place much less a movie theatre. Meanwhile, a woman whizzed around the theatre in her wheelchair with gusto trying to find a spot, no doubt elated to see Carrie and the girls.

It was then that I couldn’t help but wonder: was I excited to see Carrie and the girls again? I was still licking my wounds from the vapid consumer fest that was the first movie. I was worried that it may be too soon to see them again. Like many others, I invested a lot into the show and I felt personally betrayed when the film turned out to be such a disappointment. It had latched on to the superficial aspects of the show (shoes, cocktails, dicks)  while snubbing the depth and humor of the characters entirely. I felt like the end result was Sex & The City on steroids. Judging by the trailer for the sequel, things were going to get even more vacuous and consumer-driven this time around.

But then I thought, fuck it. I’ll let my hair down and watch the film for what it is. I dashed away hopes of seeing actual feminism or well-written dialogue. I blissfully resigned myself to watching two and half hours of a fantasy-filled romp.

The movie started and it went something like this:

Uncomfortable gay jokes, Carrie’s wearing a weird hat, Samantha said something funny, wait they’re still not in Abu Dabi?, Carrie still has her old apartment “to write” in and that makes me sad, angry and jealous, they’re in the Middle East now and they’re saying offensive things but I actually don’t care, I’m getting kind of horny, this is actually kind of funny and good, Carrie’s book gets written up in the New Yorker (Wow, this is a fantasy), I need to see male nudity now, why is the screen twitching?

Two hours into the odyssey, the projector broke. At that point, I was getting delirious from the heat. I was beginning to realize that my beads of perspiration were not caused by the couture overload but our theatre’s lack of air-conditioning. I was sort of relieved when the screen started fucking up but the cheese stood alone. People got confused and upset. One person even tipped over a trashcan in revolt. But while most of us left to get our refunds, a few devout fans stayed behind to continue to watch the movie even in its warped state. Now, that’s dedication I just don’t have anymore.

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May 7, 2010

Lindsay Lohan Stars In Questionable New Movie, Leaks Questionable New Single, Continues To Be Questionable

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For the past few years, Lindsay Lohan has combated rumors of drug abuse by repeatedly telling reporters that she’s been “so busy working.” Besides developing a spray-tan line, creating a poorly-conceived collection for Ungaro, and pushing a leggings collection, we have yet to actually see the fruits of this heavily discussed labor. That is, until now. This week, a trailer for her new film, Machete, leaked along with a single from her long-delayed record, Spirit In The Dark. Before I start to criticize,  I must say that I’m not a Lindsay Lohan hater. In fact, I’m RSVPing to her pity party. Her parental figures are a joke. Her mother, Dina Lohan, is probably chopping up the lines of coke for her daughter while cashing her royalty checks. Michael Lohan is a disgusting abomination of a human being and if he was in my gene pool, I would definitely be prone to some insane behavior. I also think she’s legitimately talented which makes it that much harder to see her publicly self-destruct. That being said, the road to career rehab should not begin with Machete and her latest single, “Can’t Stop, Won’t Stop.” (Perhaps her ode to lesbianism?)

“Bossy”, the first single leaked from her upcoming album, was actually pretty amazing in a going-to-the- gay-club kind of way. But “Can’t Stop, Won’t Stop” is misguided. It begins with a bizarre flute sample and morphs into this stale R & B beat, over which Lindsay Lohan sings in a voice that sounds distorted and unrecognizable.

Machete, on the other hand, has potential but by the looks of the trailer, Lohan appears to have little more than a cameo. She needs a starring role, preferably in a film that doesn’t involve mistaken identities with one-legged strippers.

Check them out for yourself and tell me if I’m being too hard on her!

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Filed under: Uncategorized — @ 10:19 pm

May 6, 2010

5 Reasons Why This Summer Won’t Be A Bummer.

Summer is a notorious time in pop culture and it’s because almost everything released in the months of June, July and August looks and sounds like Disney World infused with Adderall.

Aliens, oversexed 45 year-old women talking about dildos, killer toys and Will Smith invade our cineplexes in hopes of making blockbuster history. Inane pop songs flood Top 40 radio and our brains, asking us questions such as “Who let the dogs out?”

Tis the season for style over substance. Well, sort of. There are little glimmers of subcultural hope.

1. Best Coast’s Debut LP (Hopefully)

best-coast

Best Coast has had quite the meteoric rise. It was only less than a year ago when I interviewed the month-old band based on some demos I had heard on their Myspace. Now, they’re selling out venues internationally and putting the final touches on their debut album. If this song is any indication of what the LP will be like, we’re in one for blissed-out summer beach record. Download a track from their latest 7″ below.

Far Away- Best Coast

2. The Kids Are All Right

The prospect of seeing Annette Benning and Julianne Moore portray lesbian moms is reason enough to see this movie. It’s also directed by 1/2 of the 80′s funk musical duo, Wendy & Lisa. Say no more.

3. Bionic by Christina Aguilera

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Look, you can’t leave summer without sinking your teeth into some candy and Christina Aguilera’s new album looks like it’s going to be pretty sweet. Cementing her fate as heiress to Madonna”s throne, Aguilera explores electronica on her latest record, enlisting the help of everyone from Sia to Le Tigre. Color me confused but wasn’t she just moonlighting as a 1940′s jazz musician? Or maybe it was a stripper? Confusion, in Aguilera’s case, is a good thing and it will keep us eagerly awaiting her album’s arrival.

4. Kelly Cutrone

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With Kell On Earth off the air, there was worry that we would be seeing less of the New-Agey feminist/PR witch, Kelly Cutrone. But with her role in the new season of The City and her hysterical albeit bizarre Youtube channel, this could very well be the Summer of Cutrone.

5. Bonnaroo 201o

bonnaroo-mud

Bonnaroo is the best music festival you’re not going to. Think Coachella but switch skinny jeans and cocaine for mud and acid. It takes place in Tennessee over a weekend in June and is probably the closest to Woodstock we’re ever going to get, complete with a hippie-tastic lineup that includes The Flaming Lips, Dr. Dog and…Kris Kristofferson? I’m already high.



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May 3, 2010

Cat Power: A Good But Possibly Schizophrenic Woman

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Like every other alternative homosexual teen, I listened to Cat Power a lot in high school. Many days were spent on the hardwood floors of my room listening to You Are Free on repeat, hoping and praying that my boyfriend would call me back and tell me he’s no longer grounded  so we could totally go to the movies together.

I even was supposed to see her at The Troubadour during her You Are Free tour. Not only was the album my personal Jesus at the time but there were rumblings that she was acting like a nutcase on stage and I was thrilled at the possibility of witnessing the freakshow. My excitement quickly turned to sorrow, however, when I developed a nasty case of food poisoning the day of the show (compliments of my mother’s well-intentioned homemade enchiladas) and I could no longer attend!

I can’t listen to much of the music I loved in high-school because I came  to realize that most of it either sucked (Tilly & The Wall, Rilo Kiley), was boring (Iron & Wine) or reminded me too much of being a 17 year-old queer with severe cystic acne (Le Tigre).

But Cat Power was one of the few artists to survive my transition to young adulthood because although she reminds me of the pains of my youth, her music is actually really fucking good and timeless. When I heard that there was a Cat Power biography entitled A Good Woman , I thought it was a tad premature. But after reading the book,  I realized that what Cat Power lacks in productivity, she makes up for in being an enigmatic interesting crazy person.

The book explores the many contradictions of her personality. She’s a humble Southern boozehound but also a Chanel glamourpuss living in Miami. She has paralyzing shyness on stage but will gab on and on about her dysfunctional upbringing in interviews. She hates fame but will put her music in mainstream commercials. The book doesn’t ever figure out who Chan Marsshall truly is (does she even know?) but it examines how and why she came to be such a hot crazy mess. Cat Power has always perplexed me but A Good Woman helped tease out those feelings a bit. In the end, she comes off as sort of mean and damaged but with an upbringing like hers, you empathize. Now if you’ll excuse me, I’m going to listen to “Nude As The News”, an uplifting gem about Chan’s abortion, over and over.

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